from Men's Gear
Thursday, February 29, 2024
The Huanggang Skyraper Bridges Shenzen and Hongkong
from Men's Gear
Design Storz Shares Renders Of The Skia Superyacht Concept
from Men's Gear
PHONE ONE: Intuitive Interaction Via A Rotating Button Panel
from Men's Gear
How to Get An International Driving Permit in 8 Minutes
Today’s travellers are more self-sufficient than ever. Perhaps a fatigue with public transport or a disdain for long queues on holiday buses, the International Drivers Association or IDA allows one to drive legally and confidently abroad. The International Drivers Association (IDA) is able to process applications from over 165 countries. As part of their online process, applicants will be required to answer a brief set of questions and upload a valid copy of both sides of their driver’s license and a digital photograph of their passport.
A digital version of the International Driving Permit (IDP) will be issued to approved applicants and received within eight minutes, followed by the dispatch of a hard copy package within the subsequent two working days. Rest assured, a prompt refund will be issued in the event of an invalid application. A digital IDP is always available through the “My Order” section if you ever need a backup. In the unfortunate event of losing the card, worry not; IDA will ship a replacement card and booklet free of charge. The IDP is a translation document to be presented alongside your driver’s license. Please keep in mind it does not possess any official status or confer any legal privileges or rights. LUXUO gets a first-hand insight into how International Driving Permits work in this exclusive interview.
What is an International Driving Permit or IDP?
An International Driving Permit (IDP) serves as a translation of your valid driver’s license, allowing international authorities to understand your credentials, thereby facilitating driving in foreign countries amidst language barriers or regulatory differences.
What is the difference between an international driver’s license and an international driving permit?
The terms “international driver’s license” and “international driving permit” are often used interchangeably, but the correct term is International Driving Permit (IDP).
How many countries recognize IDPs?
Our IDP is recognised and accepted in over 150 countries worldwide. Often, your native driver’s license may be sufficient, but an IDP can be a requirement for car rentals and insurance services abroad, marking its growing importance.
How old do I have to be to obtain an IDP and which address do I use on the IDP application form?
Applicants must be over 18 and hold a valid driver’s license. Some countries may have a minimum age requirement of 21 for driving with an IDP. Use your permanent residence address on the application form.
How will I benefit by carrying an International Driving Permit on my next trip abroad?
Carrying an IDP provides peace of mind, ensuring you meet the legal requirements to rent and drive a car overseas. Additionally, as a customer of the International Drivers Association, our value extends far more than our IDP; you also gain access to a vast network of travel-related local and global offers and deals through our partners.
How long is an IDP valid for?
We offer IDPs with up to three years of validity, catering to various travel needs and durations.
What are the requirements to get an International Driving Permit?
Our aim is to simplify the IDP application process. You need a valid driver’s license, a photo, and a signature. We handle everything else, making the process seamless for you.
How long does it take to get my IDP?
The International Drivers Association prides itself on efficiency, processing your IDP application in 8 minutes or less, ensuring you receive prompt and reliable service.
Can I rent a car using your International Driving Permit?
Absolutely. An IDP is commonly used for car rentals, making it an essential travel document for drivers abroad.
Can you ship a printed IDP?
Yes, we provide global shipping options, ranging from cost-effective standard postal mail to expedited services via FedEx, UPS, and DHL, ensuring you receive your IDP wherever you are.
Do you have a refund policy in place?
Customer satisfaction is paramount. We offer a true 3-year money-back guarantee if your IDP is not accepted, alongside unlimited free replacements should your IDP be lost. These benefits are included with every IDP purchase: This is the International Drivers Association difference.
To learn more or apply for your own International Drivers Association (IDA), click the link here.
For more on International Driver’s Licenses in the United States click here.
For more International Driver’s Licenses in Singapore, click here.
For the latest in lifestyle reads and interviews, click here.
The post How to Get An International Driving Permit in 8 Minutes appeared first on LUXUO.
from LUXUO
Wednesday, February 28, 2024
The Mid-Scale LEGO Millennium Falcon Is On Its Way
from Men's Gear
Discover the Depths of Adventure at Alila Hinu Bay
Prepare to embark on an extraordinary journey as Alila Hinu Bay unveils its latest addition: the Extra Divers diving center, set to open this spring. Nestled within the stunning landscapes of Oman, this exclusive resort promises unparalleled underwater excursions and escapades for thrill-seekers and adventurers alike.
Dive into the azure waters of the Arabian Sea and uncover a world teeming with vibrant marine life and captivating coral reefs. With expert guidance from certified instructors, guests can explore hidden underwater treasures and witness the mesmerizing beauty of Oman’s aquatic realm.
But the excitement doesn’t end there. The adventure continues in the Oman Expedition, a 10-day mystical voyage through the heart of this enchanting land. Starting from USD 29,000 per couple, this immersive experience will take you on a transformative journey, from the serene shores of the resort to the vast expanse of the “Empty Quarter”.
Immerse yourself in the rich tapestry of Omani culture as you traverse ancient landscapes, discover remote desert oases, and encounter nomadic tribes steeped in tradition. From exhilarating camel treks to starlit nights under the desert sky, every moment promises to be a testament to the wonders of exploration.
With Alila Hinu Bay and the Oman Expedition, unforgettable stories of travel await at every turn. Prepare to embark on a voyage of discovery unlike any other, where the spirit of exploration knows no bounds.
For more on the latest in luxury travel reads, click here.
The post Discover the Depths of Adventure at Alila Hinu Bay appeared first on LUXUO.
from LUXUO
Construction Of The Mercedes-Benz Places Miami Is Underway
from Men's Gear
Tuesday, February 27, 2024
The Ultimate Outdoor Companion: Apple Watch Ultra
from Men's Gear
This 1991 Porsche 911 Singer Classic Study Heads To Auction
from Men's Gear
Durable Portability For Your Data With The SHARGE Disk
from Men's Gear
Investing In The Artistry of Milan Fashion Week Fall/Winter 2024 Collections
Going deeper beyond cut, colour and silhouette, LUXUO explores the cultural references that add to the value of the collections at Milan Fashion Week Fall/Winter 2024. Be it the key pieces to add to your wardrobe or what to wear to your next boardroom meeting or country-side getaway, investing in the artistry of the collection is not simply buying pieces, but also buying into the cultural relevance of the collection. From the ironic to the iconic, which brands are keeping faithful to their Maison’s DNA and which are shifting toward a new direction.
Gucci
It was down to the essentials at Gucci with a collection that honed in on luxe outerwear and classic accessories. Craftsmanship, construction, and immaculate technique resulted in the impeccable way coats hung off the body. Each piece of outerwear from bombers and peacoats to leather jackets utilised embroidery or had a hidden detail only known to the wearer — like a covered placket, and hidden buttoning on the back. When it came to accessories, the new GG Milano top-handle bag and the Bamboo bucket bag are arguably the collection’s two most coveted pieces. A recurring theme this season was a nod to the world of equestrianism. Perhaps in preparation for the Olympics later this year or simply an elongated take on the metal Horsebit loafer. The equestrian-style boots are not new to Gucci, with former creative director Alessandro Michele mixing riding influences with a subversive “kinky” twist. While Gucci may have dipped into their House archives for references, creative director Sabato De Sarno is certainly taking the House into a refreshing new, paired back direction.
Fendi
At Fendi, Kim Jones focused on clothing that emphasised comfort over excess extravagance. The collection saw practical, playful and versatile pieces that were an extension of the wearer. While Kim Jones is typically referential albeit romantically so, there was a feminine sensibility to the tailoring while the collection’s use of knitwear channeled traditional British nonchalance. In short, the collection catered towards a woman who has her eye on sophisticated elegance. Leather riding boots dominated the collection and were the utilitarian counterpart to this stylish urban woman who is no stranger to the British countryside.
Bottega Veneta
This season saw Bottega put an emphasis on pragmatic pieces for the “woman on the go” which was reflected in transitional pieces that took the wearer from day to night. There was a nod to a multi-generational wardrobe particularly with the accessories that had a sense of inheritance to them — a grandmother’s croco, a mother’s clutch, a father’s Oxfords. This added to the “non-disposability” of the collection that is on-brand for Bottega. Creative director Matthieu Blazy returned to Bottega Veneta’s roots pre-Intrecciato weaving, opting instead for abstract flower prints, cascading handkerchief hemmed skirts, and leather-painted flame patterns that abstractly mimicked the look of flames.
Moschino
It was a transitional period for Moschino as after a successful 10-year tenure of Jeremy Scott, his successor Davide Renne passed away nine days after becoming the creative director of the House. Adrian Appiolaza was later appointed in January 2024 and his debut focused on tailoring and craft or “classics to be twisted” as he stated. It was ironic because even though the collection paid homage to the House of Moschino and its founder Franco Moschino, the collection lacked the whimsicality we have come to know and love of both Moschino’s founder and Jeremy Scott. What the collection lacked in whimsicality and conceptual allure, it more than made up for with its commercial appeal. While the word “commercial” was once a frowned-upon term in fashion, the wearability of clothes can’t be ignored. The collection was perhaps Appiolaza’s own commentary on elitism and snobbish values. He knew that his debut collection would draw comparisons to his predecessors and so his inclusion of question mark emblems were a response to the “insistent interrogation of meaning at the core of any work bearing his name”. What the collection presented as a trenchcoat, a foulard, a tailored suit, or lingerie draped in pearls were all crafted to be consciously subversive.
Prada
Prada’s Fall/Winter 2024 collection was steeped in historical context. Miuccia Prada and Raf Simons embedded fashion with different eras of history to deliver modern reinterpretations of classic wardrobe staples. “Rather than an intellectual examination, this collection is an emotional reaction, to ideals of beauty that still feel resonant.” Leather jackets took inspiration from 1940s aviation and post-war era voyage practices while Prada also elevated working uniforms and sportswear with the inclusion of varsity jackets. As Prada approached the collection with a historical eye on women throughout the decades, the clothes reflected a sense of “power dressing” or clothes that were meant to protect the wearer be it in the air or on the soccer field.
Emporio Armani
Emporio Armani took inspiration from a “luminous night sky”. The collection started off with intense black ensembles, before showcasing shades of violet, jade and grey. The clothing matched this “luminous” inspiration with billowing fabric and loose trousers that encouraged movement. This collection was about the details; a play on texture and metallic embroidery to create a three-dimensionality to textured jacquard pieces that reflected the moon and stars in the night sky. The masculinity of men’s tailoring with crocheted waistcoats and sharp suits juxtaposed the delicate embellishments and rhinestone chains, showcasing the different facets of femininity. There is no one way to approach women’s dress or style. Notions of gender and feminity are blurred into one.
Diesel
It is an open secret that there is a trend of Gen Z’s venturing into Y2K fashion. Diesel evoked the youthful nostalgia of the early 2000s with their Fall/Winter showcase. With artisanal denim coated and then cracked, matted knits in extreme shapes alongside trompe l’oeil-style prints and layered mesh to give off the impression of clothes that were fraying off the body. The collection tapped into the unhindered freedom of the new millennium, no doubt tugging at the heartstrings of millennials everywhere — ultra mini-skirts, mid-riff bearing tops, patent leather boots, and barely-their blouses. The denim, devoré jersey, and faux fur selections were key pieces for every Gen Z who aims to emulate early-2000s looks.
Max Mara
The Max Mara customer is, as the brand describes a “woman-in-control with a dash of Belle Époque elegance, a hint of demi-mondaine glamour, and a glimpse of sensuality”. One thing that Max Mara does succinctly is always have a modern approach to dressing their envisioned woman. Tall or short, silhouettes are punctuated by a broad knitted band at the waist, with a narrow strap of a belt. The oversized signature lightweight “Teddy Bear” coat is the perfect mix of urban glamour. Luxe cashmere cardigans and knitted obi-style belts draw on Japanese influences, particularly with the use of kimono sleeves and coats constructed with blousing at the back, taking the form of a bomber jacket. “Masculine” influences of authoritative officer coats, cabans and power jackets in jet black and smoky greys are a testament to the modern woman’s emancipation.
For more on the latest in luxury fashion and runway reads, click here.
The post Investing In The Artistry of Milan Fashion Week Fall/Winter 2024 Collections appeared first on LUXUO.
from LUXUO
Monday, February 26, 2024
The DOOGEE R20 Is A Tough Tablet Built For Outdoor Use
from Men's Gear
MeTool’s AceStand Packs 13 Utility Tools In A Sleek Design
from Men's Gear
OMA Tucks Austrian House In A Steep, Sloping Site
from Men's Gear
Sunday, February 25, 2024
The Mystic, Materials and Mantra of Artist Franz-Josef Baur
Franz-Josef Baur — or FJBAUR as he is more commonly known — is a conceptual German pop artist who seeks to find beauty in the mundanity of everyday experiences and showcases it through his own special lens of vividly unadulterated expression. Having spent a portion of his youth and teenage years in the south of Germany, which had a fundamental impact on his artistic expression, Franz-Josef Baur would spend some time training as a chef only to return to his first love of art and become one of Europe’s most vibrant and innovative artists. The artist now calls Vienna and Berlin home taking inspiration from museums and art galleries both in Vienna and across Europe. The elusive artist meets with LUXUO to speak on all things art and unveils what he has planned for 2024.
Tell us a little bit about your background. When and how did you fall in love with art?
Life, in its vibrancy and enchantment, offers endless opportunities that one should always embrace. The foundational years of my childhood in Germany are the base layer of my character, which evolved through youthful exploration—both refining and deconstructing my perceptions—leading to a mature appreciation and love for art in my later years.
What materials do you prefer to work with? How do you select your materials?
I love working with different materials, whether it’s resin, plastic, wool, fabric, or paper. Currently, I have a preference for natural materials. I trust serendipity in my selection process; it has to feel right, and then that’s the material I choose for each creative phase.
You mentioned a few years back “my style is very much Pop art. I love to work between genres; art & design and fashion”. Is this still the case in your latest work?
Absolutely, my latest project is a vivid reflection of that philosophy. It is a newspaper series that draws fresh inspiration from the natural world.
What colours are your favorite for this new year in 2024?
Normally I would say pink is my colour, but over the years, my exhibitions at Art Basel Miami have drawn me towards the enchanting pastels of South Florida, and this affinity continues into 2024. This year, I find myself particularly drawn to a vibrant, saturated “Miami Blue” that captures the exuberance and dynamic spirit of the place.
Where does the inspiration for your work come from?
My work is deeply influenced by the details and emotions found in daily experiences, capturing the essence of life’s moments that often go unnoticed, and it’s underpinned by confidence in my personal vision and artistic intuition.
What emotions do you hope the viewers will experience when looking at your art?
When viewers encounter my art, I hope they feel a profound sense of unadulterated happiness, as if they’re being immersed in the pure, vivid joy that colours can evoke.
Read More: FJBAUR Presents The Mid-Point Between Art, Design and Fashion in Vienna
You once said, “my main aim in my work is to make people aware of our values, the real values of life in caring, and not losing them all”. Tell us more there?
I strive to illuminate the core values of compassion and mindfulness that are often overshadowed in our fast-paced, modern society. Through my art, I aim to encourage reflection and a reconnection with those fundamental human values that foster a caring community and enrich our lives beyond material success.
In your case, is creating a new artwork a solitary process?
I thrive on interaction and exchange. While I don’t have a team of builders, the creative process is enriched by a continuous dialogue, which informs and inspires my work.
What should art lovers and collectors expect from you across 2024?
In 2024, I will focus intensively on creating sculptural works. I aim to play with vibrant colors and expressive forms
What is your dream project this year 2024?
Each year, I dedicate myself to realising one dream project, and for 2024, my focus has been on a daily collection of materials that has spanned the entire year. This meticulous process is infused with a deep sense of local identity. Through this endeavor, I’m not just creating art but also weaving a narrative that captures the spirit of the city day by day.
Are there any artists who have inspired you on the contemporary art scene?
Daniel Buren has recently been an inspiring figure, with his distinctive modern and minimalistic style. His approach is characterised by a strong conceptual framework that challenges the traditional boundaries of art, merging the aesthetic with the social and engaging with the urban landscape in a way that is both international and free-thinking.
As an artist, what is your point of view about the contemporary art system?
The entire art “system” can indeed be restrictive, bound by unspoken rules that seem elitist and arrogant, dictating what is recognised as ‘valid’ art. However, the landscape is shifting, opening up numerous opportunities for artists to exhibit work in unconventional spaces. Recently, I was asked to show some works on the billboards of NYC Times Square which I see as a testament to this evolution, affirming my belief that art is transcending the confines of traditional gallery spaces.
What is the most rewarding part of working as an artist?
Evoking emotions in the viewer and prompting them to pause for a moment. Through my art, I aim to provide an opportunity for people to reflect on what they see and engage with their own emotions. It deeply fulfills me when my works establish a connection and leave a lasting impression.
Where can our readers and art lovers purchase your works online?
I primarily do online sales, using Instagram and other social media platforms to showcase and sell my artwork. Art enthusiasts and readers interested in purchasing my works can reach out to me through these channels, and they are welcome to contact me at any time for further inquiries or to make a purchase.
What is your favorite museum in Europe?
I can’t name just one! But the Tate Modern, with its imposing architecture and avant-garde contemporary art exhibitions, never fails to leave me in awe. The combination of the museum’s striking building design and its thought-provoking displays of modern and contemporary art makes it a must-visit destination for anyone passionate about artistic innovation and expression.
What about your favorite museum in Vienna?
The MAK (Museum of Applied Arts) and the Heidi Horten Museum are two of my favorite collections in Vienna. These museums resonate with me deeply as they uniquely showcase an extensive array of Pop Art and Experimental Art.
What is your ultimate mantra in life?
Generosity unlocks the fullness of life. If you give love, love comes back.
In my journey as an artist, I’ve discovered that generosity is not just a moral choice, but a creative one too. Sharing my work openly, engaging, and supporting fellow artists has not only enriched my own experience but also expanded the reach and impact of my art. To give freely of ourselves, our time, and our talents, we open up avenues for new inspiration, collaboration, and ultimately, a deeper connection with our audience and the world at large.
To discover more about FJBAUR and his artwork, head to his Instagram and website.
For more on the latest in art reads from across the globe, click here.
The post The Mystic, Materials and Mantra of Artist Franz-Josef Baur appeared first on LUXUO.
from LUXUO
Why Size Matters at Bell & Ross
When one thinks of Bell & Ross, two names immediately come to mind: Bruno Belamich and Carlos Rosillo, who are of course the Bell and Ross of the brand name. Of course, you are much more likely to meet Rosillo than you are to meet Belamich, for example, and there are plenty of watchmaking brands where only a handful of people ever speak with the media. One even. Bell & Ross is not that kind of watchmaker, as Managing Director Fabien Nonancourt reminds us merely with his presence!
Appointed Head of Sales in 2010, Nonancourt is no stranger to the press, retailers, and collectors in this and other regions. However, it was likely when he took on the General Manager (a term apparently used interchangeably with Managing Director) portfolio in 2017 that his public profile began to grow. While Rosillo is the CEO of Bell & Ross and Belamich is the Creative Director, Nonancourt’s influence is perhaps most strongly felt on the front end of the brand experience. He has been heavily involved in what the brand calls the “optimisation,” of its 600 points of sale worldwide and has most recently been engaged in developing the brand’s network of boutiques in Asia and Australia. As a member of the senior management team, Nonancourt is certainly in the mix as far as product development is concerned (he is part of the weekly product development meetings in Paris), as he is likely to be one of the first people to learn what people think of the watches and, crucially, to receive feedback from the sales floor.
On a recent visit to this region, Nonancourt went through the most recent update to what is arguably Bell & Ross’ most popular line, the BR 03. Literally a small change, we could not figure out exactly how a one mm difference could be a big deal – no pun intended. Nonancourt was only too happy to tell us how much of a difference it makes.
We are meeting on the occasion of a major change in size for Bell & Ross watches, specifically in the BR 03 so let us begin there.
We felt the demand from the market for smaller watches so we had to find basically the best compromise by reducing slightly the size but not giving up on the strong DNA of the BR 03, which is an instrument with a (strong) shape. We are debuting eight models, six of which already exist, in 41mm (42mm was standard for the BR 03 – Ed>. So this means we have two new designs and we think we have achieved the perfect compromise in delivering the new size. By the way, it is not just the size that has changed; we have made the watches more sophisticated and more refined. We have rounded the corners slightly and the lugs are a little bit smaller, as you noticed. So a lot of little changes make a big difference at the end of the day.
Read More: Bell & Ross’ BR 03-Cyber-CE Hits All the Right Angles
A change in size is certainly a big deal for something like the BR 03. Tell us more about the challenges.
I mean, you can really say size matters, even if just 1mm or 1/2mm millimeter; you can clearly see the difference <and feel it too – Ed>. And I can tell you, Bruno Belamich did so many prototypes with the different sizes of lugs and trying to have different (proportions) also of the rounded corners to find the perfect shape. The straps are also different (a result of the lug-width change) and the buckle is smaller too. This (evolution) has been the result of intense studies and difficult choices because (as mentioned), these are very small differences that make a big impression. Remember that way back when, some people would tell us that they love the BR 03 (and the BR 01 too) but that it was too big, too instrument-like, and too difficult to wear. So that is why we have created in 2019, the BR 05, which is another interpretation of the flight instrument, but in a more urban way that is suitable for any occasion.
So, the BR 05 was partly an answer to those clients, who are from everywhere…it is not the case that it was clients in Asia who wanted a smaller size. The smaller watch trend is everywhere, even in the US where they historically have liked small watches (including Bell & Ross models now out of production). In the watch industry, there are always trends with regard to size. Before, it was for larger watches, now it is for smaller watches. I think maybe people now want to be a little bit less ostentatious with their watches. It’s a little bit strange because at the same time, maybe people are willing to spend more and more money on watches! The BR 05 (for example) is a luxury sports watch.
Help us understand how and why you arrived at this smaller version of the BR 03. Did you want to surprise enthusiasts?
First of all, there was the choice of the size and that was the first decision (with regards to the BR 03). There was part of the team that was scared to change this historical model because Bell & Ross was known for the 42mm size. I think the strength of this product is to have a bigger size; I mean we had also the BRS collection that was 39mm and that was not so successful. So the (new size for the BR 03) was a big, big decision. And when we compared the 40mm prototype to the 41mm one, we felt better with the 41mm one.
Even though it was smaller (than the 42mm original), but you can still feel the strength of the instrument design aesthetic immediately. Also, a 2mm change is quite big on the square watch form <referring to why the 40mm prototype was not chosen>; we did show the 41mm prototype to (selected collectors and retailers) who said the 42mm BR 03 was too big and they liked it. (As I said), a 1mm change makes a huge difference in perception (with the specific Bell & Ross instrument style of watch).
We don’t want to surprise people too much or to make a revolution. It is like, you know, the Porsche 911 – it should always be the 911; Porsche is not going to make revolutionary changes to the car. The BR 03 has been a bestseller for us since the beginning, and these watches will continue to be the bestsellers. People do not expect to see a totally new BR 03. They expect to see the product that they know but with some improvements, like we are now using the latest movement so we have a 54-hour power reserve.
As far as a surprise goes, we have the BR 03- 94 Blacktrack chronograph (co-created with designer Sacha Lakic) which is in the motorsports arena <see Highlights this issue – Ed>.
And a new BR X5…
This is how we work with Kenissi, which makes a tough and reliable movement for us in the BR-CAL.323. Our main priority in pursuing the manufacture movement was to be more present, let’s say, with those brands going with in-house or manufacture movements. I think here there is a demand from the market for manufacture movements…I don’t think that collectors are strictly looking for manufacture movements (per se). They’re looking for the benefit of the manufacture movement. Bell & Ross is a strong name (in watchmaking) known for its design (expertise) and we wanted to offer something with a manufacture movement…but not at crazy prices. Yes, the BR-X5 is more expensive than the 03 and 05 collections but not by (too large an amount) for an improvement in power reserve to approximately 70 hours. There are also other benefits, like extended warranties, that add value to the final watch (as far as benefits that manufacture movements offer).
So (the manufacture movement for the X5) was our first move and it has been very, very successful. We will continue to extend the collection to be part of the manufacture movement world (as Rosillo and Belamich have spoken about). I mean, this is not for tomorrow but it is part of the plan (for the future). (But the manufacture movement) will not be limited to just this collection…we plan to eventually bring the manufacture movement to the BR 03.
Read More: Aeronautical Acrobat: Bell & Ross BR 03-92 Patrouille de France 70th Anniversary
For now, Bell & Ross also debuted the BR-X5 Green Lum in 2023, which uses the same calibre that debuted in 2022, but now cased up in a very special material that glows in the dark. Taking advantage of the BR-X5’s multipart complex case structure, Bell & Ross have used a special material called Lum. Interestingly, this material was used for the first time by Bell & Ross in a 2017 BR 03 model, the BR 03-92 Horolum; this magazine continues to hold a special place in its heart for the 2020 model, the BR 03-92 Diver Full Lum, which you might also recall, given its popularity. – Ed
Leaving the world of bold contemporary styles aside, Bell & Ross also has a vintage side that we are curious about. Tell us more.
You know, when we launched, I was not working for Bell & Ross at that time (the company was founded in 1992 – Ed). Bell & Ross launched its first vintage collection in 1997, and it was probably the first brand in the entire watch industry to launch a product called “Vintage.” Today, everyone is doing something vintage, but to launch in 1997 a brand new model that is called Vintage, not to have reissues of vintage watches, we were really ahead of the trend. I mean it was Bruno’s inspiration and his feeling of the market that led him to think that maybe we should do a revival of the designs from the 1940s and the 1950s. Bell & Ross was alone at that time to do this. In fact, the name “Vintage” officially belongs to us…Bell & Ross has a trademark on the “Vintage” name; others are now doing reissues from their own back catalogues but no one can name these watches “Vintage.” Initially, this really helped us stand out but today, now that everyone is doing it, there is not such an advantage anymore.
This article first appeared on WOW’s Festive 2024 issue.
For more on the latest in watch reads, click here.
The post Why Size Matters at Bell & Ross appeared first on LUXUO.
from LUXUO
Subscribe to:
Posts (Atom)